Back then, one of my early projects was about forcing photography to speak. I didn't want a flat image; I wanted texture. I built dresses out of Skittles and printed on rice paper, trying to create a multi-sensory playground.

Today, my approach has shifted. I no longer feel the need to build the set. I let the object—the cafe, the cup, the space—exist first. My role is to step back, observe, and extract the senses that are already there.

The Sensory Index is not a guide telling you where to go. It is a collection of "film reviews" for the physical world. While others look at the plot (the hype), I am looking at the cinematography (the lighting, the branding, the brew ratio).

I record the details that others miss, not to help you avoid pitfalls, but to offer a different angle of appreciation. This is a personal archive of inspiration: saved, stamped, and shared.